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Violinist/Mandolinist TED FALCON's "TO CHEGANDO-Almost There"--Unique Approach to Brazilian Choro Music

When people think of Brazilian music, the first thing that comes to mind is bossa nova. But TED FALCON, a jazz violinist, mandolinist and composer, fell in love with a different style of Brazilian music called "choro." Falcon's newest album, TÔ CHEGANDO-Almost There, comprises 14 original compositions that celebrate the happy, danceable, urban rhythms of choro music. Falcon plays both violin and mandolin on the album, which was recorded in São Paulo, Brazil, and Los Angeles with different bands. Falcon is not only a devotee of the music, but he also pushed its musical boundaries by introducing the violin to the mix of traditional choro instruments. He has become the premier choro violinist in the world. Although the word choro (pronounced shoru) means "cry" or "lament, " the music is vibrant and cheerful. Considered the first urban popular music in Brazil, choro was born in 19th century Rio de Janeiro. Often played at informal gatherings called "rodas de choro, " choro is characterized by the virtuosity and improvisation of its participants. Falcon is a highly accomplished musician and composer, and the music on TÔ CHEGANDO is the best of two worlds. Choro is often labeled the "jazz of Brazil." Improvisation is at the heart of choro, and its origin is a hybrid of African, European and American musical styles. While Falcon stays true to its rich roots, he pushes the envelope and opens the music to even wider influences.



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