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| Jazz@TheFalcon | David Amram Quintet | Sun Jun 6 Amram, the Renaissance man of American Music who still refers to himself as a "promising young composer". Featuring: David Amram / Leader, Vocals, Piano, Flutes Percussion, French Horn Kevin Twigg / Drums, Glockenspiel Rene Hart / Upright Bass Adam Amram / Congas Now in his 90th year, award-winning composer-conductor-multi-instrumentalist and author DAVID AMRAM is receiving awards and honors worldwide, composing two new commissioned symphonic works, performing at major folk, jazz, classical, spoken word and film festivals, working on his fourth book "David Amram: Notes from a Promising Young Composer" and is the subject of a second documentary feature film by filmmaker Lawrence Kraman, entitled Amram@90:Still a Promising Young Composer He is also composing new symphonic and chamber music works. Over the last 65 years, Amram has traveled the world, guest conducting his symphonic and operatic works in Europe and Canada - performing with people in every genre imaginable - from Farm Aid with Willie Nelson and his band, to festivals and concerts across the US, Canada, South America, Europe, Asia, and the Middle East. "Having visited the Falcon and loving the feeling of community that fills the air, I am honored and happy to perform there with my band. The Falcon reminds me of my favorite places in the 50s when I played in Greenwich Village with the bands of Charles Mingus, Dizzy Gillespie and Oscar Pettiford; when Jack Kerouac and I gave the first-ever jazz-poetry readings in NYC; when I played with Ramblin' Jack Elliot, Odetta and Pete Seeger in the 60s, and was composing for the Lincoln Center Theater's production of Arthur Miller's "After the Fall" and Joe Papp's NY Shakespeare Festival, as well as creating film scores for "Splendor in the Grass" and "The Manchurian Candidate". I played with the great singer-songwriters of the time, with Middle Eastern and Native American musicians, and in the 70s, for many of the great Latin-jazz events." - David Amram write your comments about the article :: © 2021 Jazz News :: home page |