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| The Harvey Diamond Quintet Saturday June 22, 2019 8:00 pm @ the New School of Music Cambridge MA Saturday June 22 2019, 8:00 pm. The Harvey Diamond Quintet featuring Harvey Diamond, piano; Richard Tabnik, saxophone; Phil Grenadier, trumpet; Jon Dreyer, bass; Bob Gullotti, drums. At the New School of Music, 25 Lowell St, Cambridge MA. Walk from Harvard Square, take the #71 or #73 bus, or park free in the lot behind the school. This concert will focus on the music of the great Lennie Tristano. Tickets https://www.brownpapertickets.com/event/4275601 or at the door. The legendary jazz pianist Harvey Diamond has graced the Boston area for decades with his music which is at once both deeply intricate and deeply emotional to even the most casual listener. Over the years he has performed across the U.S. and in Europe. A student of Lennie Tristano, he has done concert appearances with NEA Jazz Masters Sheila Jordan, Dave Liebman, and Art Farmer, and also with Charles Neville, Herb Pomeroy, Harvie S, Jay Clayton, Joe Hunt, Don Alias, Jason Palmer, Cameron Brown, Marc Johnson, Marcus McLaurine, and many others. He has released his second CD as a leader, Fair Weather, with Cameron Brown. This follows is first CD, The Harvey Diamond Trio. Cameron Brown says of Harvey, Harvey Diamond is a unique and brilliant musician: a pianist's pianist with a remarkable touch, unimpeachable technique and enormous dynamic range. A creative and unpredictable improvisor, Harvey's roots go back to Lennie Tristano and Bill Evans, spiced with just a touch of Cecil Taylor. He draws the audience into his world and holds it spellbound. Saxophonist Richard Tabnik studied with the jazz alto saxophonist Lee Konitz from 1970 to 1972. During the years from 1975 through 1979, he lived in Buffalo, N.Y. and played lead alto sax in Frank Foster's Big Band at University at Buffalo, The State University of New York. He has written for and performed in many capacities in Houston, Texas, Atlanta, Georgia, and Providence, Rhode Island. He studied and performed with Connie Crothers from 1980 until her death in 2016, including her quartet CCQt, featuring Connie Crothers on piano, Roger Mancuso on drums, and Sean Smith on bass. His recordings include Duo Dimension with Connie Crothers, Solo Journey, In the Moment with Carol Tristano and Cameron Brown, and Life at the Core with Andy Fite, Calvin Hill, and Roger Mancuso. Throughout a career that spans nearly three decades, trumpeter Phil Grenadier has emerged as one of jazz's most imaginative and innovative players. His two albums as leader, 2000's Sweet Transients and 2003's Playful Intentions, have won him copious international acclaim, while his collaborations with a broad array of notable musicians demonstrate the raw talent and adventurousness that led the San Jose Mercury News to call him "a trumpeter of rare fluency and depth." He has performed with Ella Fitzgerald, Mel Torme, George Shearing, Tony Bennett, Carlos Santana, James Brown, Sammy Davis Jr., Dionne Warwick, Bob Belden, Richie Beirach, Ethan Iverson, Bill Stewart, Kurt Rosenwinkel and Jeff Ballard, Steve Swallow, Kenny Barron and countless other greats. Bassist Jon Dreyer is one of Harvey Diamond's closest collaborators. He also performs regularly with James Merenda, both as a member of his high-energy, jazz-ish band TickleJuice and also in more mainstream jazz settings. He has performed with NEA jazz master Sheila Jordan as well as most of the Boston jazz community, including Jerry Bergonzi, George Garzone, Jason Palmer, Adam Janjigian, Yoko Miwa, Frank Wilkins, Dominique Eade, Bob Gullotti, Joe Hunt, Steve Langone, and Austin McMahon. Drummer Bob Gullotti, leader of the Bob Gullotti Project, is a founding member of the Fringe, with George Garzone and John Lockwood. He has toured worldwide with the Fringe, Eddie Henderson, J.J. Johnson, Joe Lovano, John Patitucci and many others. He appears on over 60 recordings. He has published Modern Drummer and Downbeat. He is a clinician for Zildjian and endorses Eames Drum Co., Zildjian, and Remo Drum Heads. write your comments about the article :: © 2019 Jazz News :: home page |