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| Eric Alexander The Real Thing CD Release More than one jazz critic has claimed that listening to tenor saxman Eric Alexander unfettered and at length, is one of the greatest treats in jazz. This imposing improviser is reunited here with his mentor, the veteran pianist Harold Mabern and joined by another hot favorite, the legendary and amazing guitarist Pat Martino on three of the eight tracks. Add in the still stunning engineering of Rudy Van Gelder and the swing engendered by bassist John Webber and drummer Joe Farnsworth and you have a formula for excellence, if ever there was one. Martino and Alexander perform together often in a variety of venues and their collaborations have produced some of the most inspired playing on disc. ERIC ALEXANDER, tenor saxophone Special Guest: Pat Martino, guitar Harold Mabern, piano John Webber, bass Joe Farnsworth, drums TRACKS: The Real Thing Pure Pat Summertime The Night Has a Thousand Eyes Little Boat For George and Trane Sleep Warm The Chief About Eric Alexander Boasting a warm, finely burnished tone and a robust melodic and harmonic imagination, tenor saxophonist Eric Alexander has been exploring new musical worlds from the outset. He started out on piano as a six-year-old, took up clarinet at nine, switched to alto sax when he was 12, and converted to tenor when jazz became his obsession during his one year at the Indiana University Bloomington (1986-87). At William Paterson College in New Jersey he advanced his studies under the tutelage of Harold Mabern, Joe Lovano, Rufus Reid, and others. "The people I listened to in college are still the cats that are influencing me today, " says Alexander. "Monk, Dizzy, Sonny Stitt, Clifford Brown, Sonny Rollins, Jackie McLean, Joe Henderson-the legacy left by Bird and all the bebop pioneers, that language and that feel, that's the bread and butter of everything I do. George Coleman remains a big influence because of his very hip harmonic approach, and I'm still listening all the time to Coltrane because I feel that even in the wildest moments of his mid- to late-Sixties solos I can find these little kernels of melodic information and find ways to employ them in my own playing." During the 1990s, after placing second behind Joshua Redman in the 1991 Thelonious Monk International Saxophone Competition, Alexander threw himself into the whirlwind life of a professional jazz musician. He played with organ trios on the South Side of Chicago, made his recording debut in 1991 with Charles Earland on Muse Records, and cut his first album as leader in 1992 (Straight Up for Delmark). More recordings followed for numerous labels, including Milestone and others, leading to 1997's Man with a Horn; the 1998 collaborative quartet session with George Mraz, John Hicks, and Idris Muhammad, Solid!; and, that same year, the first recording by One For All, Alexander's ongoing band. Eric has appeared in many capacities on record, including leader, sideman, producer as well as composing a number of the tunes he records. By now, Alexander has lost count ofhow many albums feature his playing; he guesses 60 or 70. While he has garnered critical acclaim from every corner, what has mattered most has been to establish his own voice within the illustrious bop-based jazz tradition. In 2004, Eric signed an exclusive contract with the New York-based independent jazz label, HighNote Records where he has amassed a considerable discography of critically-acclaimed recordings. Most recent among them are "Chicago Fire" also released on vinyl (HCD 7262), "Touching" (HCD 7248) and "Don't Follow the Crowd" (HCD 7220) with Harold Mabern. Eric Alexander "The Real Thing" CD Release September 16 - 18 @ Club Bonafide Sets 7:30pm & 10:00pm Eric Alexander Tenor Sax Harold Mabern Piano Jon Webber Acoustic Bass Joe Farnsworth Drums Club Bonafide 212 East 52nd St 3rd Floor New York, NY 10022 (646) 918-6189 www.clubbonafide.com write your comments about the article :: © 2015 Jazz News :: home page |