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| The Twilight Sad - "ňran mór session" (FatCat)  " It's not until you assemble no, grow, because this is nothing if not organic the whole thing, that the jaw-dropping brilliance of the album reveals itself. "- Drowned in Sound (10/10) " Simple but effective, the lyrics are bleak, bitter phrases of existential loneliness and torment. His emotion hits just as potently throughout. " - NME (8/10) " The group's fourth LP more than justifies [their] ascension. Where there were youthful, wayward meanderings, Graham has emerged a man, exorcising the sorrows of lessons learnt along the way. " - The Quietus This October, almost a year since the release of their acclaimed fourth albumNobody Wants To Be Here and Nobody Wants To Leave, Scotland'sThe Twilight Sad return with theňran mór session LP: a collection of reworked, stripped-back versions of tracks from the album, b-sides and a cover of Arthur Russell's 'I Couldn't Say It To Your Face'. The sessions are available fromOctober 16th, 2015, on CD, vinyl and digital download. Recorded upstairs at Glasgow'sňran mór session, a popular arts and entertainment spot in the west of the city, away from the boozier throes of the venue's lower levels, the set was initially released - in abridged form as an EP - to coincide with the band's late 2014 and early 2015 tour dates. Now with an assortment of additional tracks, the band are proud to give the sessions a wider physical release for the first time via their longterm homeFatCat Records. The sessions act as something of a means to recap and reflect on what's been a whirlwind past year for the band, withNobody Wants To Be Here and Nobody Wants To Leave earning rave reviews from publications includingThe Sunday Times, The Quietus and Q, alongside toppingDrowned in Sound's best albums of 2014 and earning a rare perfect ten from the site, finishing second inThe Skinny's list, third inPopmatters' indie rock albums of the year and topping Any Decent Music's Scottish albums of the year. Here, we see the skeletons of the songs that comprised the bulk ofNobody Wants To Be Here and Nobody Wants To Leave presented as they were initially composed: stark, unadorned and with their melodies laid open and their meanings made clear; a chance to hear another side to these newest additions to the band's repertoire but also to revisit what made the originals so special in the first place. write your comments about the article :: © 2015 Jazz News :: home page |