People, Hell and Angels Debuts at Number 2 on the Billboard 200

People, Hell and Angels, an essential new album premiering twelve previously unreleased studio recordings completed by American composer/guitarist/bandleader Jimi Hendrix, has debuted on the Billboard 200 best-selling albums chart at #2 and is rolling onto the nation's Top Current Rock Chart and the Hard Music Chart at #1.

A testimony to the abiding vitality and importance of the trailblazing American musician, People, Hell and Angels marks Hendrix's highest-charting album since Electric Ladyland spent two weeks at Number 1 in 1968. Jimi's last conceptually-curated from-the-vaults studio album, 2010's Valleys of Neptune, also on Legacy Recordings, debuted and peaked at No. 4.

People, Hell and Angels achieved #1 debut sales numbers at a variety of the nation's retailers, both online and traditional brick-and-mortar. Many of the nation's indie are also reporting Number 1 positions for the album, a newly curated album of 12 fully realized studio cuts, more than a hour's worth of previously unheard Jimi Hendrix music.

On Sunday, January 20, 2013, songs from People, Hell and Angels were incorporated into the soundtrack of the Hawaii Five-0 episode "Olelo Ho?Opa?I Make"/"Death Sentence."

"Somewhere, " the first single from People, Hell and Angels, has gone Number One, according to a segment on the album airing on CBS Early Show. "Jimi Hendrix (born November 27, 1942) died in 1970 at the age of 27, " said Charlie Rose, "but his influence on music continues to this day. 'Rolling Stone' magazine called Hendrix the greatest guitarist of all time. Now his new album is coming out...."

Heralded as an essential addition to the artist's musical canon, People, Hell and Angels has triggered a resurgence of interest in the legendary guitarist, who would've turned 70 last November. In the wake of People, Hell and Angels success, several Hendrix catalog titles-including The Best of...., South Saturn Delta, Are You Experienced and Axis: Bold As Love-are moving up on this week's Top Catalog Albums charts.

The Wall Street Journal's Marc Myers observed that, "...Jimi Hendrix had a secret side. With the release of 'People, Hell and Angels' (Legacy), due Tuesday, the long-form soloist is heard experimenting with Stax, Wall of Sound and even jazz motifs. Recorded between March 1968 and August 1970, the CD's 12 previously unreleased tracks feature Hendrix test-driving concepts for an unrealized album project. Though many of the new tracks are alternate renditions of material issued posthumously on several LPs from the '70s and '80s, and CD releases from the '90s, Hendrix's attacks and arrangements here are bolder and more exotic."

Rolling Stone concurred in its Four Star review, in which David Fricke stated simply, "Hendrix left us so much, but in precious little time. Every shred counts."

To kick off a year long celebration of the 70 years of the life and music of Jimi Hendrix, Gap has launched a line of limited edition t-shirts. Hendrix's latest album of previously unreleased tracks, People, Hell and Angels, provides the artwork for the super-soft crew necks. Available in a limited run for girls and guys, the shirts will hit Gap stores on March 15th.

Emerging artist Janelle Monae has been turning in career defining performances of Jimi's classic "Little Wing" (see Jimmy Fallon on April 1).

Longtime Hendrix engineer Eddie Kramer and producer John McDermott sat down for an in-depth analysis of Hendrix and his music this week on Rockline, Wednesday, March 13.

People, Hell and Angels will be showcased in a pair of hour-long special broadcasts on the NPR series "World Cafe." The album is also slated for a profile on "Elwood's Bluesmobile, " the Dan Aykroyd-hosted radio series airing on 180 commercial stations across the United States, Canada and the Armed Forces Network.

People, Hell and Angels showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.

These twelve recordings encompass a variety of unique sounds and styles incorporating many of the elements-horns, keyboards, percussion and second guitar-Jimi wanted to incorporate within his new music. People, Hell and Angels presents some of the finest Jimi Hendrix guitar work ever issued and provides a compelling window into his growth as a songwriter, musician and producer.

With an album title coined by Jimi Hendrix, People, Hell and Angels reveals some of Hendrix's post-Experience ambitions and directions as he worked with new musicians-including the Buffalo Springfield's Stephen Stills, drummer Buddy Miles, Billy Cox (with whom Hendrix had served in the 101st US Army Airborne and later played on the famed R & B 'chitlin circuit' together) and others-creating fresh and exciting sounds for the next chapter in his extraordinary career.

People, Hell and Angels is co-produced by Janie Hendrix, Eddie Kramer and John McDermott. Kramer first met Hendrix at Olympic Studios in London in January 1967. Hendrix, who would have turned 70 on November 27 this year, developed a unique rapport with Kramer. As a result, Kramer engineered every album issued by the guitarist in his lifetime and recorded such famous Hendrix concerts as the Woodstock festival in August 1969. Since 1997, Kramer has teamed with Janie Hendrix and John McDermott to oversee the release of each Jimi Hendrix album issued by Experience Hendrix.

The dozen previously unreleased Jimi Hendrix performances premiering on People, Hell and Angels include "Earth Blues, " "Somewhere, " "Hear My Train A Comin', " "Bleeding Heart, " "Baby Let Me Move You, " "Izabella, " "Easy Blues, " "Crash Landing, " "Inside Out, " "Hey Gypsy Boy, " "Mojo Man" and "Villanova Junction Blues."

A musical companion piece and successor to 2010's Valleys Of Neptune, the critically acclaimed album showcasing the artist's final recordings with the original Jimi Hendrix Experience, People, Hell and Angels offers tantalizing new clues as to the direction Hendrix was considering for First Rays Of The New Rising Sun, his planned double album sequel to 1968's groundbreaking Electric Ladyland.

Unlike contemporaries such as the Beatles or Bob Dylan, Jimi Hendrix owned his songs and master recordings. He did not have to record his music at recording studios owned and operated by his record company. Hendrix spent countless hours recording his new music at new, independent music studios such as New York's Record Plant and the Hit Factory. Hendrix was so focused on recording his music that, concurrent with nearly all of the sessions featured as part of People, Hell and Angels, he was underwriting the construction of his own recording facility-the state of the art Electric Lady Studios in Greenwich Village.

People, Hell and Angels - Track by Track

Earth Blues:
Totally unlike the version first issued as part of Rainbow Bridge in 1971, this December 19, 1969 master take features just Hendrix, Billy Cox and Buddy Miles-stripped down funk at its very origin.

This newly discovered gem was recorded in March 1968 and features Buddy Miles on drums and Stephen Stills on bass. Entirely different from any previous version fans have ever heard.

Hear My Train A Comin':
This superb recording was drawn from Jimi's first ever recording session with Billy Cox and Buddy Miles--the powerhouse rhythm section with whom he would later record the groundbreaking album Band Of Gypsys.

Jimi shared a deep love for the blues with Billy Cox and Buddy Miles. Both musicians understood Jimi's desire to create what he described as a 'new type of blues'. Jimi's menacing lead guitar is the centerpiece of this dramatic addition to his remarkable legacy.

Bleeding Heart:
This Elmore James masterwork had long been a favorite of Jimi's. He had performed the song earlier that year with the Experience in concert at the Royal Albert Hall and had attempted to capture the song in New York studio sessions during the weeks that followed.

Recorded at the same May 1969 session as "Hear My Train A Coming, " the track conveys Jimi's firm understanding of the arrangement and tempo he desired. Before they began, Jimi instructed Cox and Miles that he wanted to establish a totally different beat than the standard arrangement. He then kicked off this amazing rendition that was nothing like any other he had ever attempted.

Let Me Move You:
In March 1969, Jimi reached back to another old friend, saxophonist Lonnie Youngblood. Before he was discovered by Chas Chandler in the summer of 1966, Jimi had contributed guitar as a nondescript studio sideman for Youngblood and such infectious rhythm and blues styled singles such as "Soul Food".

This March 1969 session features Hendrix and Youngblood trading licks throughout this never before heard, high velocity rock and soul classic.

In the aftermath of the Woodstock festival, Jimi gathered his new ensemble, Gypsy Sun & Rainbows, at the Hit Factory in August 1969 with engineer Eddie Kramer. "Izabella" had been one of the new songs the guitarist introduced at the Woodstock festival and Jimi was eager to perfect a studio version. This new version is markedly different from the Band Of Gypsys 45 rpm single master issued by Reprise Records in 1970 and features Larry Lee, Jimi's old friend from the famed rhythm & blues 'chitin' circuit', on rhythm guitar.

Easy Blues:
An edited extract of this gorgeous, free flowing instrumental was briefly issued as

write your comments about the article :: 2013 Jazz News :: home page