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Billy Taylor, Jazz Pianist, Dies

Billy Taylor, a pianist and composer who was also an eloquent spokesman and advocate for jazz as well as a familiar presence for many years on television and radio, died on Tuesday in Manhattan. He was 89 and lived in the Riverdale area of the Bronx.

Dr. Taylor, as he preferred to be called (he earned a doctorate in music education from the University of Massachusetts at Amherst in 1975), was a living refutation of the stereotype of jazz musicians as unschooled, unsophisticated and inarticulate, an image that was prevalent when he began his career in the 1940s, and that he did as much as any other musician to erase.

Dr. Taylor probably had a higher profile on television than any other jazz musician of his generation. He had a long stint as a cultural correspondent on the CBS News program "Sunday Morning" and was the musical director of David Frost's syndicated nighttime talk show from 1969 to 1972.

Well educated and well spoken, he came across, Ben Ratliff wrote in The Times in a review of a 1996 nightclub performance, like "a genial professor, " which he was: he taught jazz courses at Long Island University, the Manhattan School of Music and elsewhere. But he was also a compelling performer and a master of the difficult art of making jazz accessible without watering it down.

His "greatest asset, " Mr. Ratliff wrote, "is a sense of jazz as entertainment, and he's not going to be obscure about it."

A pianist with impeccable technique and an elegant, almost self-effacing style, Dr. Taylor worked with some of the biggest names in jazz early in his career and later led a trio that worked regularly in New York nightclubs and recorded many albums. But he left his mark on jazz less as a musician than as a proselytizer, spreading the gospel of jazz as a serious art form in high school and college lectures, on radio and television, on government panels and foundation boards.

He also helped bring jazz to predominantly black neighborhoods with Jazzmobile, an organization he founded in 1965 to present free outdoor concerts by nationally known musicians at street corners and housing projects throughout New York City.





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