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| Mark O'Leary Shamanic Voices Review Allaboutjazz ![]() Isungset opens the session with percussive ripples, with no clear rhythm, opting for raw sounds that stimulate O'Leary's response. On the first two tracks, O'Leary doesn't entirely succeed in finding true interplay with Isungset, but by the third tune the two have found substantial common ground. O'Leary begins a gentle folkish acoustic guitar, and then moves to fast atmospheric lines on the electric instrument, while Isungset lays down avant-tribal rhythms. Isungset cleverly uses spare minimal sounds to accentuate O'Leary meditative plucking on "Altar Of Stones, " but he also knows how to use minimal metallic sounds to create a mysterious and threatening drama on "Vardlokker." You can feel the influence of 1970s and 1980s ECM releases on O'Leary, and his acoustic guitar pays dues to Ralph Towner and even to Steve Eliovson, while his playing on the electric guitar suggests a close studying of the discography of Terje Rypdal. But the meeting with Isungset does not deliver the often chilly, overly mannered feel of many ECM releases. This one offers risk, mystery, drama and free expression, by two musicians who in their own ways keep striving to perfect their art. Tracks and Personnel Shamanic Voices Tracks: Rainmaker; Vardlokker; Natturer; Skjold; Faoi draoicht; White moon; Fire Ritual; Fifth world; Oracle; Altar of stone; Seidr; Dancing with the Wolf. Personnel: Mark O'Leary: electric guitar, electric baritone guitar, acoustic 12-string baritone guitar, tabletop guitar, e-bow, electronics, samples; Terje Isungset: drums, percussion, wood stones, voice. write your comments about the article :: © 2008 Jazz News :: home page |