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| Ellipses reviewed on AllAboutJazz by Eyal Hareuveni  The prolific Irish guitarist Mark O'Leary likes to position himself in challenging musical outfits, usually trios, that discourage facile characterizations and expectations. The two trios featured on Ellipses and Signs highlight his avant-fusion approach. O'Leary says he's influenced by diverse sources ranging from avant-garde modern composers like Karl Heinz Stockhausen and Iannis Xenakis to forward thinking sound sculptors like David Torn and Fennesz. But even if you can locate where his musical ideas stem from, it is always a surprise to follow their transformations into bold finished statements.This trio brings O'Leary together with Norwegian keyboard wizard Stole Storlokken, a member of free-improv quartet Supersilent and fusion outfit Elephant9, and Chicagoan drummer John Herndon, a member of Ken Vandermark's Powerhouse Sound and Rob Mazurek's Exploding Star Orchestra, who has collaborated before with O'Leary on Radio Free Europe (Leo Records, 2007). This undated recording pays its dues to the effects-laden brew of fusion and progressive rock of the 1970s. Storlokken's vintage synth walls merge with O'Leary's flat-toned guitar and electronics, and Herndon's fractured grooves, to form intense and often dark textures that sound influenced by Terje Rypdal's and Steve Hillage's atmospheric guitar heroics of that era, especially on the title track and on the free-form "Maskerade." The last and longest piece, "Theme from Jack Johnson, " is a tribute to the famous Miles Davis composition from the trumpeter's 1970s funky electric-fusion outings. But like the former pieces, all credited to all three players, it does not attempt to reconstruct that decade's sound or to follow the genre, but instead to use it as a springboard for an adventurous improvised meeting. The outcome is epic and captivating. The trio produce their own trademark sound, and an impressive camaraderie that charges the music with intensity, surprise and uncompromised determination to explore new terrains. write your comments about the article :: © 2008 Jazz News :: home page |