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| Mark O'Leary On The Shore review Gaz-eta by Tom Sekowski ![]() His playing is pensive but he's never unsure of the direction he's driving the band in. Though on first hearing, O'Leary's playing may be mistaken for someone like John Abercrombie, on closer listen, one hears a distinct O'Leary style. He's more forceful and at the same time, plays with more care and delicacy. Kaiser and Fumo work in tandem, trading off trumpet calls in a subtle way, while Cline is best when he resorts to using stones, sticks and shells in his percussive palette. Resulting music is quite moving, without resorting to clichés or working against odds at turning the listener onto something entirely new. The season of O'Leary is long upon us and "On The Shore" will stand as the cornerstone that pushes his music into un-chartered territories. write your comments about the article :: © 2008 Jazz News :: home page |