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| The Shake - Debut CD ’Kick It’ ![]() While no strangers to making music and taking the concert stage, the recording process was new to the band as a whole. "The band really came together in a way I had hoped we would after all the rehearsals, " said Merkin. "We were used to playing in a very loose, relaxed atmosphere, " explains Shapiro. "I was apprehensive that the studio sessions would be scientific and methodical, but they weren't. Once we got inside (the studio) everything felt totally natural." Only Merkin had ever even stepped foot in a recording studio prior to beginning Kick It. The band utilized the studio's prestigious collection of equipment including vintage '57 fender twin amps. "Initially it was pretty painful…lots of anxiety going in, much like an actual virgin" said Shapiro with a sly grin. Virtually all of the songs were recorded without tracking. Shapiro feels "tracking is almost soulless. Mistakes are honest. The details are in the mistakes and we wanted to keep the album as real and as pure as possible." That's also why the band opted to stay away from a clicktrack, because "it gave us that 'you are on heroin feel'." The Shake counts several of the original "British invasion" bands among their influences. Parallels to the Yardbirds, the Small Faces and the early Rolling Stones are apparent in many of their songs. But what give The Shake their versatility are the individual band members' varied influences. Merkin cites BritRock acts like Oasis and the Kinks while Shapiro prefers the classic rock styling of Pink Floyd and Led Zeppelin, and guitar greats Muddy Waters and Elmore James. Stein revels in old-school punk like the Ramones and early Green Day, while McNellis is a Jazz connoisseur. When you add all this together and mix it with their youthful enthusiasm, the result is the unique sound that is The Shake. write your comments about the article :: © 2007 Jazz News :: home page |