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| Mike Dillon's Go-Go Jungle Debut Album Mike Dillon's Go-Go Jungle and their rawkus debut album, Battery Milk, to be released January 30, 2007 on the Brooklyn-based independent record label, Hyena Records. Born and raised in Houston, Texas, Mike Dillon's musical history runs deep. In the late '80s and early '90s, he was a member of the pivotal Texas bands Billy Goat and Hairy Apes BMX. He soon moved onto acclaimed experimental and improvisational bands like The Malachy Papers, Critters Buggin and Garage A Trois, all of which are situations in which he still plays to this day. Dillon's reputation also led to collaborations with MC 900 Ft. Jesus, Super Chiefs 3, Polyphonic Spree and Sex Mob. A percussionist by trade, Dillon re-discovered the vibraphone while battling drug addiction. After a six month morphine binge, he was penniless and looking for a fix. Having no more gear to pawn except his vibes, he kicked drugs cold turkey and began learning Thelonious Monk's "Well You Needn't." Mike Dillon is known to furiously circulate around the country, simultaneously calling Austin, New Orleans and Kansas City home. These nomadic experiences led him to his highest profile gigs yet: recording and touring the world as a percussionist with both Ani DiFranco and Les Claypool's Frog Brigade, projects which have been a mainstay of his world for the past several years. And yet somehow in the midst of all this, Dillon put together Go-Go Jungle in early 2006. The band features Dillon's longtime musical co-conspirators, including Mark Southerland on tenor saxophone, JJ "Jungle" Richards and Ron Johnson on bass guitar and "Go-Go" Ray Pollard on drums. Battery Milk opens with the soul-fire strut, "Go-Go's Theme." The tune answers the question: "What would Bobby Hutcherson sound like jamming alongside DC go-go legends Trouble Funk?" "Broc's Last Stand" continues in the old school, soul jazz spirit with Dillon's acid-tinged vibe work propelling the groove. But just when you think you know where the Go-Go Jungle's headed, Dillon changes pace. "The Blame Game" has a Tom Waits-esque spoken word feel with swirling electronic effects and deep, ethereal blowing by Southerland. Dillon takes his gift for black comedy to the next level on the hysterically creepy, "The Voyeur, " which also inspires comparisons to his boss in the Frog Brigade, Les Claypool. Further into Battery Milk, bassist JJ "Jungle" Richards delivers a Curtis Mayfield-worthy vocal on a slinky re-working of Aaron Neville's New Orleans R&B gem, "Hercules." And even still there are moments of metal, punk and Zappa irreverence such as "Stupid Americans" and "Lunatic Express." The album is rounded out by two of its most important tracks. "Bad Man" is a tongue-and-cheek political statement most notable for the dichotomy between its easy rolling, happy groove and sinister-sounding sampled snippets of George W. Bush. "Harris County, " a tribute to none other than the late, great Eddie Harris, is built around spitfire improvising and rhythmic interplay between Dillon and Go-Go Ray. Mike Dillon's Go-Go Jungle has already played a number of dates in 2006, including a stint opening for Primus in November and December. In 2007, Dillon plans to support the release of Battery Milk by keeping the band on the road throughout the year. In January, he'll embark on a major tour of the Midwest and West Coast, including shows as both a headliner and opening act. write your comments about the article :: © 2007 Jazz News :: home page |