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Gustavo Cortiñas' The Crisis Knows No Bounds Alongside guitarist Dave Miller, tenor saxophonist Jon Irabagon, and violinist Mark Feldman, Cortiñas weaves together themes of displacement, economic imbalance, and resilience, translating urgent global concerns into a sonically rich experience. His previous works, Desafío Candente (2021) and Kind Regards (2022), explored colonialism and immigration—this time, he turns his attention to the interconnected crises shaping our future. "Through music, I hope to inspire unity and empathy, " he shares. From the opening track, The Basic Economic Farsity, which juxtaposes excess and scarcity, to the driving urgency of The Growth Imperative, the album is a deep dive into the tension between progress and sustainability. The title track emphasizes global interdependence through folkloric melodies and shifting rhythms, while The Man of Flesh and Bone, inspired by Miguel de Unamuno, offers a meditation on mortality. The album concludes with A Drum Solo for the End of Times, a haunting and introspective piece that leaves a lasting impact. Cortiñas' upbringing shaped his artistic lens. Born in Mexico to a Uruguayan professor and a Mexican educator, he grew up surrounded by literature, philosophy, and a diverse musical landscape. Jazz captured his imagination early, leading him from New Orleans to Chicago, where he now calls home. His music bridges Latin American folklore, classical elements, and improvisation, resulting in a distinct and expressive voice. One of Chicago’s most sought-after drummers, Cortiñas has performed with Chuchito Valdés, Entre Amigos, and Emily Kuhn, among others. With The Crisis Knows No Borders, he challenges listeners to reflect on our shared future, proving once again that music is not just art—it’s a call to action. |
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