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Mark O'Leary Chartreuse The BRAT aesthetic, for posterity purposes, is now prehensile as being contemplated as a new paradigm that has even permeated the pop culture of the psyche of the American electoral doyens, the essence of which is encapsulated in Mark O'Leary's petit dalliance with the genre. From the post Swedish House Mafia groove of Call it a Comeback to the intricate synth rhythms of Supermodel, the lofi synth groove of Libertine, one can peruse upon Kate Moss in after the Greenroom having strutted her stuff on the catwalk, or the no holds barred BRAT structures of the title track. The floating aetherial vibe of Ascendre in petit homage to Descendre. The recapitulation of the now synonymous Chartreuse cadences in XCX and in Greenpoint. An interesting digression for Mark O'Leary that may conjur a little more interest in the man who used to teach Academy Award winning best actor Cillian Murphy guitar and music as a teen. |
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